Since its development in the Kingdom of Ryukyu (in the region where today is the Japanese prefecture of Okinawa) to the present day, the martial art that we now know as “karate” underwent major transformations.
Originally, it consisted of a complete system of traditions, knowledge, methods and highly effective techniques for hand-to-hand fighting and preservation of the life of the practitioners and the people protected by them. This system, hitherto transmitted only in secret to very few people, in the early twentieth century started being taught to large groups of students – and has become one of the most practiced martial arts in the world. However, along with the massification of karate, much of its original teachings have been distorted, barely passed on to students and future instructors, or even forgotten (sometimes lost in secrets that have not been passed on). As a result, the modern form taught today in most schools is completely different from ancient karate in almost every aspect of art.
Many karate followers saw these changes as natural and unavoidable, and that there was no cause for concern, for to them the ancient knowledge was unnecessary in the modern world – and the transformation of karate into a mere fighting sport and modern budo would be an inevitable and even desirable transformation. So today most practitioners and even instructors simply do not know (or do not care) about the fact that the karate they have learned and sometimes even teach is vastly different from the ancient martial art of Okinawa (though several ancient masters have attested and emphasized the existence of these differences).
But not everyone was satisfied with the abandonment of old karate and the original fighting power of the art. Throughout the twentieth century and especially in recent decades, karate masters in Okinawa, as well as scholars from around the world, have begun an effort to rediscover the ancient karate. Many traveled to the region where karate was born, to study the remaining documents and to learn from the local masters. Several of these masters finally decided to openly teach information that until then was transmitted to very few – now to ensure that their knowledge will not die, and hopefully to reverse the process of disfiguration that art has been through. This movement has taken on great proportions in recent years, driven by the revolution of communications and the hard work of determined researchers.
It was in this context that the Brazilian researcher Samir Berardo founded the Muidokan Karate Kenkyukai – a society of practitioners passionate about this martial art, with the aim of researching, practicing, preserving and promoting karate in its original form and foundations, as an art of self-defense and preservation of life. This society develops research projects and offers the public content that leads to a greater understanding of ancient karate – all with the deepest respect for each and every one of those who dedicate and have dedicated themselves to karate, and for the general public alike. Muidokan also maintains contact and exchanges with great instructors, researchers and practitioners around the world, and develops a unique and remarkable project on the recovery of the original foundations of art, especially in the area that is probably the most fascinating and misunderstood in karate – the study of kata, its meaning and its fighting applications (study popularly known as bunkai).
With this worldwide phenomenon, karate is now experiencing a real revolution and a return to its origins, and Muidokan, its associates and supporters, are part of this revolution.
Hi,
I love your approach to kata bunkai application. Makes a lot of sense to me. Curious if you offer any Dvds,video footage of kata bunkai? Thank you for sharing.
Sincerely,
Tom
Dear Tom,
Sorry for taking so long to reply. The website is kind of new and to be honest I was still kind of confused with how to manage the comments function (lol).
Thank you very much for sending me a message and appreciating the content shared!
I have a huge amount of bunkai stuff (like every movement of many many kata, with a very structured explaining and teaching method, far deeper than what has been shown in the video published by Jesse Enkamp), but I’ve been keeping that stuff private because I haven’t had a chance to make a professional recording of it — but many people have actually seen it in person or through low quality recordings.
I’ve indeed been planning to produce instructional DVDs, but I’m still not sure when they will be released. In any case, I always enjoy sharing with people who have a genuine interest and a honest intention. I’ll contact you through Facebook (I think we’re friends in Facebook already) and we can talk and think of what we could do, alright?
Warm regards,
Samir
Make a more new posts please 🙂
Hello, Sanny! Please forgive the late reply.
I promise you there are new posts on the way. To be honest, Muidokan does already have a massive work in text, but most of it has been shared only privately to its members and it takes time to adapt it to public view!
In the meanwhile, please take a look at our social media — you can see the links in the upper right area of this very website. We post there far more often.
Don’t hesitate in making contact whenever you wish — I always answer all messages on Facebook, Instagram and Twitter far more quickly!
Wish you a fine training!
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